Natalie Sirett Art
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Natalie Sirett Art

Studio Sale - January Bargains!

3/1/2023

 
Starting the New Year with a clear out, I came across these two gilded gesso panels, made IN THE LAST CENTURY! Unframed but with fixtures on backs so they can be hung up directly. ​I am selling them at £225 including  P+P - still considerably less than they cost when first exhibited! Contact me at art@sirett.com if interested. I'm offering to mailing list for now but will put out on #artistsupportpledge in February.
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WAVES oil & red gold on gesso panel 25.5 x 18 x 15cm
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WEATHER SYSTEM oil & red gold on gesso panel 25.5 x 23.5 x 15cm
I have also found six giclee prints from 2013/14, each the last available in limited edition series of 10, framed, and mounted. I am selling them at £115 including P+P. ​Contact me at art@sirett.com if interested. I'm offering to mailing list for now but will put out on #artistsupportpledge in February.
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PRESENT/ABSENT Framed Giclee Print Last of Limited Edition of 10 22 x 22cm
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TREES HOUSE Framed Giclee Print Last of Limited Edition of 10 30 x 30cm
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CAN’T GET DISCONNECTED Framed Giclee Print Last of Limited Edition of 10 30 x 30cm
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HOME Framed Giclee Print Last of Limited Edition of 10 22 x 22cm
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SAFEST PLACE Framed Giclee Print Last of Limited Edition of 10 25 x 22cm
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READING CHAIR Framed Giclee Print Last of Limited Edition of 10 43 x 32.5cm

Je suis Méduse

27/12/2022

 
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'Je Suis Méduse' says Tom de Freston in his book Wreck: Gericault’s Raft and the Art of Being Lost at Sea*, the phrase meaning literally ‘I am jellyfish'. De Freston is reflecting on the lifecycles of the ‘immortal’ jellyfish turritopsis dohrni and its famous ability to cheat death. A turritopsis dohrni begins life as a colony of polyps, each genetically identical clones of the other that merge as they mature to form a single, adult creature. When subjected to stress, attack, or injury this organism can revert to its previous multiplicitous state, return to a cluster of seemingly innocuous fragments until it feels safe enough to re-form into one being.

It is in the context of fragmentation of the self in the face of trauma that Tom finds his kinship with the jellyfish. Wreck is a remarkable book that plays with art history, autobiography, word, and image to explore the fragmentations and reformations of a life.

When I found myself stitching 'Je Suis Méduse', it was a statement of my kinship to The Medusa herself rather than marine life, immortal or otherwise, although I do love that her name denominates these sinister ocean stingers, sub-phylum Medusozoa with their trailing, serpentine tentacles! I have a new raft of embroidered messages floating my way at the moment. Scraps of fabric, word and image-plays arriving on restless seas. Watch this space for more pithy bon-mots in the weeks ahead.
* Wreck: Gericault's Raft & the Art of Being Lost at Sea, Tom de Freston Granta 2022
PictureGORGONS FISHING ink on paper
Click to view Open University podcast on the Medusa & her Sisters project here. 

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​Good news for #WhenShadowsFall, which has been listed for the
​Yoto Carnegie Medal 2023. ​
Sita and I are very proud!











Creating Space for Art and Literature

20/10/2022

 
I am taking part in this discussion online: ​Ekphrasis: Creating Space for Art and Literature
for the O.U.'s Contemporary Cultures of Writing, Tuesday November 1st, 2022 18:00-19:00 GMT. Will talk about creating the book Medusa & her Sisters with poets Natalie Shaw, Sue Rose, Arabella Currie, Catherine Ayres, Jane Burn, Sita Brahmachari, Anoushka Havinden, Wendy Pratt, Rhia Bhatta, Jo Reardon, Emily Hasler, Ramona Herdman, Laura Mckee and Sarah Watkinson.
                        It's free to join but tickets are apparently going fast! Hope to see you there.
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The Embroidered Message

20/9/2022

 
​As another strange and fractured year moves onwards, I am hitting an autumnal creative surge. Some people find new momentum in January when the new year begins, for others it is the spring that gets sap rising but for myself, possibly because my birthday falls in the last days of August, autumn is the beginning, a time where there is sufficient energy and hope to make new plans.
This year I am looking at showing my most recent projects: KILLING KEVIN and MANIFESTO FOR A NEW NORMAL in a context that explores the wider traditions of stitching how we feel. The sewing of text is, in some ways, a strange choice. It is labour-intensive - it's certainly quicker to pick up a sharpie and scrawl a note. And embroidery takes the written word out of the journal, off the writing paper and the screen and onto new, potentially incongruous territories. Some time ago, when considering  the choice to embroider  KILLING KEVIN I wrote that it felt like a no-brainer that ‘these words needed to be pierced…, pulled, looped and tightened – needle-worked into form.' Since I was no seamstress, I had to learn my craft on the job, stitching, unpicking, and re-stitching the fifty-four handkerchiefs that make up this piece. When I worried that my choice was ridiculous, I took heart from Louise Bourgeois’ own handkerchief I HAVE BEEN TO HELL AND BACK. AND LET ME TELL YOU, IT WAS WONDERFUL. If it is good enough for Louise, who was I to argue?
While Killing Kevin told my personal story of cancer treatment,  MANIFESTO FOR A NEW NORMAL flowed from our shared experience of the pandemic. People were longing for the life they had lost but there was also a real examining of what they might choose to change once ‘normality’ returned. Be it through #MeToo the response to murders of women on our streets, or #BlackLivesMatter, the toppling of Colston’s statue and protest at the murder of George Floyd; people were looking at the entrenched, the ‘that’s the way things are’ and saying, enough. In my manifesto I focused, once again, on societal shame and the disguises it demands and begets. I declared it was time to ditch this vicious cycle. Stitching for a new life is nothing new for a woman. For centuries mothers expecting a child made their layettes. While brides-to-be and their sisters, aunts, mothers, and grandmothers made linens for their ‘bottom drawers,’ undergarments for their trousseaux and, yes, handkerchiefs, all embroidered with the initials of their owners, who, once transformed by the marriage ritual, could begin life anew. This is why I chose to sew my manifesto demands on christening garments, linens, gloves, and fans.
 
I am in the early stages of research, but have begun to find some intriguing historic examples of embroidered text, most extraordinary of all is the Elizabeth Parker Sampler, in the V&A's collection - poor girl! Once I have a greater sense of where this autumnal exploration is leading. I will let you know!

Treasure Events and An Exhibition Opportunity

29/6/2022

 
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RAVEN TREASURE, acrylic and copper leaf on wood, 2023
I have made the Raven Treasure Box  for use in workshops where Sita Brahmachari and myself unpack the themes in our book #WhenShadowsFall .
Workshop attendees are invited to make their own drawn and written responses to our 'unpacking' of the Box.
Upcoming workshops:
​8th July  2023  YALC, Olympia
August 23rd & 24th 2023
Edinburgh International Book Festival
 

Inspired?

Why not submit your work for exhibition at Counter Point Arts in 2023? Sita Brahmachari and I are curating this show. Click to view works already selected.

Upcoming: Raven Treasure

1/4/2022

 
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The buzz around When Shadows Fall continues:

April 3rd 2022
​Sita Brahmachari is speaking at The Oxford Literary Festival 
 
​May 2nd 2022

Sita and I are launching RAVEN TREASURE, an art and storytelling extravaganza 
at The Tunbridge Wells Literary Festival 

 May 12th
When Shadows Fall Paperback Launch 
details TBA

August 24th

RAVEN TREASURE Sita and I perform our art and storytelling extravaganza  at
The official Edinburgh International Festival
booking details TBA 

Stitching the Future - A Manifesto for a New Normal

3/1/2022

 
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PERFECT WON'T SAVE YOU, embroidery on antique bonnet, 2021
I do not remember when the times we live in were discussed as often as they currently are. Given the lockdowns, isolations, and occasional threats of annihilation that root us so firmly in an uncertain present, the constant analysis is unsurprising and seems to come in three distinct genres.
 
There’s straight forward yearning for life as it was. We would not be human if we did not long for all those freedoms that we innocently took for granted. There’s desperate denial from conspiracy theorists, anti-vaxers and other extremists. Then there’s the stuff that informed and inspired my latest project: MANIFESTO FOR A NEW NORMAL; the voices raised to protest ‘norms and injustices once accepted as ‘just how things are.’ From Black Lives Matter, #Metoo, Extinction Rebellion, Times Up and others, we are examining the pieces of who we used to be and deciding that we can do better.
 
MANIFESTO FOR A NEW NORMAL is a 10-piece embroidered series made during 2021. It echoes traditional practices of stitching for New Life, such as the Layette, sewed by expectant mothers for their babies and the carefully initialled household linens and bridal finery layed in ‘bottom drawers’ and trousseaux. The working title was, at one point, A REBEL TROUSSEAU. The language of this project explores social demands I no-longer wish to conform with and the precious hopefulness that thoughts of shedding them inspires.
 
HAD ENOUGH? UNLEARN IT. Is one of three embroidered mazes representing the mires of convention that I am interested in challenging. Are you, it asks, good enough? Kind enough? Masked enough? Hollowed enough? Filled enough? Fearless enough? Skilled enough? Wise enough? Wise enough? Seen enough? Hidden enough? Tame enough? Quick enough? Sorry enough? Strong enough? Measured enough? Thin enough? Empathic enough? Shown enough? Obedient enough? Wary enough? Non-Threatening enough? True enough? Feminine enough? Hard enough? Perfect enough? And concludes HAD ENOUGH? UNLEARN IT. This call to unlearn old rules first appeared in the concluding work of my 54-piece series KisforKevin. It seems to be my go-to clarion call for breaking the rules and making real, positive change! I love the joy of the christening gowns and bonnets: BEGINNING AGAIN? BE TRUE THIS TIME, THE WORLD IS IN NEWNESS. THIS IS A TIPPING POINT, JUST BE TRUE.
 
This is my manifesto. Let's explore what needs to change!

When Shadows Fall

19/11/2021

 
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I'm so proud to have illustrated When Shadows Fall, latest book by the force of nature that is Sita Brahmachari! We have been talking about this project for many years. It's Book of the Month at Hive Books who are giving a 25% discount on the £12.99 retail price. It's also book of the month at LoveReading4Kids.  
Sita in Conversation with Michael Rosen,  celebrating When Shadows Fall         
I'm not too used to illustration but working with Art Editor Charlie Moyler, I was allowed to be playful, taking textures from existing etchings, ink blots, scorch marks and good old bubble printing to make imagery that does justice to the drama and emotion of the tale. I even got to feature some classic North London Brutalist Flats. Here are some images from the development process, some of the final illustrations and some of examples of the marriage of text and image on the page.

Recording of my talk for Ro2 Art, Dallas is now available

5/10/2021

 
Click on image to view.
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Artist Talk & Q&A

15/5/2021

 
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You are invited to my talk and Q&A for Ro2ART
Host: Jordan Roth.
Time: 8pm GMT on Sunday May 16th.
YES! THAT’S TOMORROW!
Just click here: http://ro2.us/nataliesirettarttalk to join the Zoom meeting.
<<Previous
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    COMING SOON!
     IN HER SHOES : New shoes made in wood, textiles and words in collaboration with artist maker Jordan Devlin.

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    ​​COMING SOON!
    4 new print edition for 2023

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    MEDUSA & her SISTERS
    Limited edition art book & poetry anthology
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