Black on White
When Renee Rilexie, curator of EVOCATIVE at The Menier Gallery, asked contributing artists to explain what the word evocative meant to them, this was the image that instantly sprang to my mind. A still shot from the classic Film Noir The Third Man, where a beam of light briefly illuminates a man's face and the key plot twist is revealed. The Third Man is the greatest ever Film Noir. I should say 'arguably the best' but I don't believe there is a case to be argued.This film is a breathtaking piece of cinematography for which Robert Krasker won the Academy Award. In terms of story, character, score and production it is an extraordinary play of light and dark.
Ironically, the artwork I am showing in the EVOCATIVE show this August is very colourful. However, I am also leading a workshop on drawing with pen and ink. Admission is free, materials provided, and all ages are welcome. For those who cannot make August 23rd, here are a couple of trade secrets that I will be sharing on the day:
1.The black and white choice you face is to make the mark, or leave a space. Blank areas are
every bit as active as drawn, so be aware of their shape.
2. Doodle at all times. It is very important, whatever your teachers told you.
Comments are closed.