In an interview accompanying the show, the artist speaks of the 'idea of landscape which is full of life...nobody knows, within a second, just by a little act of terror... it transforms.' Qureshi's work often references the political situation in Pakistan but his intention is not to make work parading brutalities, rather he seeks to name the universal presence of violence. As he explains, “...there’s a lot of violence around me in Pakistan, but then there is a lot of violence all over the world. Violence is not a strange thing or a stranger for anyone."* In Where the Shadows are so Deep, we find life as well as darkness even in the deepest shadows of The Curve. Qureshi's achievement is that he communicates so much more about the nature of violence because it is shot through with such shimmering beauty. It is an extraordinary achievement AND it's there until July 10th. Don't miss it.
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'Entering into Natalie Sirett's world is like meeting oneself in a universe subject to completely different rules of recollection. The work is delicate and brutal, sensitive with a bite. Subsequently, one's memory of her storytelling is always full of colour.'
Libby Anson Editor, Arts Writer, Author The A to Z of Art
MEDUSA & her SISTERS
Limited edition art book & poetry anthology